Today’s Track: Desmond Dekker & The Aces – “Fu Man Chu”

Are you into Reggae? I’m going to rock you steady with a Jamaican classic from 1968!

Over the last week, myself and the rest of the commitee of my student radio station have been importing loads of reggae tracks into our music playout system as a way of freshening up the diversity on the station and filling a void of world-based music to experiment with our timely curated playlist. It comes courtesy of the music scheduling head, who bought around 3 different compilation box-sets the other day. Bless him! I proceeded to call most of them “fuddy-duddy” (old-fashioned and a bit pompeous) as a typical 21 year old male naturally would. However, there is one track which really stood out among the pack for me, which is a 1968 rocksteady banger called “Fu Man Chu” by Desmond Dekker & The Aces, Dekker being one of the first Jamaican exports to gain a decent amount of attention outside of the Kingston scene.

Even after 51 years, the track teaches a timeless lesson on true happiness stemming from being kind to others and being grateful for what you have, which is communicated through Desmond’s soft and delicate vocals: “It make no sense, at all, to say where we used to work” and “It makes no sense, at all, to say how much you used to earn”, with the former line coming across like a subtle reference to slavery or racism in Jamaica a very short time before the track would have been recorded, as it’s way before my time, but it’s still a decipherable message that’s relevant today. It has a very slow and steady rhythm, with an almost entirely acoustic style of instrumentation and a simple kick drum melody, but the real stand-out is the gentle humming midways through the song, which gives the track a very uplifting tone which keeps the vocals from feeling preachy. It’s simply a nice message, with references to “Fu Man Chu”, a fictional heroic character from China, who sported the trademark long and thin moustache that is still seen prominently within Asian media and African culture to this day. This is a warm ray of sunshine and the perfect tune to liven up the particularly rainy October that we’re currently experiencing in the UK. It may be “fuddy duddy”, but it feels so in a way which is infectiously groovy and catchy!

Thank you for reading this post! Of course, it’s Sunday tomorrow, so I’m going to be re-evaluating a punk classic from the 00’s that I remember from seeing on Scuzz TV, a now-closed music video TV channel, for my weekly themed series of Scuzz Sundays posts! If you really liked what you just read, why not follow the blog to get notified when every new daily post is up and why not like the Facebook page here?: https://www.facebook.com/OneTrackAtATime/

Today’s Track: The Comet Is Coming – “Lifeforce (Part II)”

Welcome to the blog! I hope that your Saturday, like this group, is out of this world…

The Comet Is Coming are a new Jazz band from London who I’ve grown increasingly fond over in the last few months since the release of their first full-length LP, “Trust In The Lifeforce Of The Deep Mystery” in March, via the Impulse Records label. They consist of King Shabaka on the Saxophone, Danalogue on the Keyboard/Synths and Betamax on the drums. Their sound is incredibly exciting and they have the power of inspiring the youth to get down with the Brass Instruments with their wonderful synth melodies and the breathtaking (literally) performance from Shabaka on the Saxophone. It is a shame they haven’t seemed to really take off on BBC Radio 1 and 1Xtra, but at the same time, my friend has convinced me they are a little too good for that and a little bit too clever for the brainwashed masses. I’ve heard the live performances are absolutely glorious and I’m in love with their take on the Jazz genre, infusing it with a burst of fresh air and new life as a result of their fast-paced Saxophone pieces and the elements of psychedelia which elevate the overall space theme to another frontier entirely. The Comet Is Coming are a true gift to their planet.

Over the weekend (at time of writing), The Comet Is Coming released “The Afterlife”, a 6-track EP which acts as a companion piece of the full-length LP. It’s a similar sound to their LP, but it sounds more infused with reggae and ska elements this time around. “Lifeforce (Part II)” is the promotional single, a track which, like an expansion pack to a computer game or dessert after a main course on a meal out, doesn’t stray very far from the sound of the LP, but it still expands on the original output in a few meaningful ways. I think the synth background creates somewhat of an ethereal and atmospheric sci-fi landscape, which becomes a good vehicle for the gorgeously paced drum melodies to really sink into the psyche of the listener. Shabaka is fantastic, as usual, on the Saxophone as he enthralled me with the high-octane pacing of the Saxophone and he manages to transport you to another dimension (pun intended) with a single click of a key on his Saxophone. However, it’s the queieter moments which also have the power to shine, a key reason why the band are so unique and very good at what they’re doing. If the LP wasn’t really your style, it likely won’t convert you very much as a newbie. On the other hand, if you’re a massive fan of the band and you really catch their drift, you’re going to absolutely love how the percussion, both organic and electronic, mesh together to create a shape-shifting, winding sci-fi beat. It’s a good teaser of more to come from a highly underrated band.

Thank you for reading this post! I’ll be back tomorrow with the latest of my “Scuzz Sundays” series of themed posts! If you really liked what you just read, why not follow the blog to get notified when every new daily post is up and like the Facebook page here?: https://www.facebook.com/OneTrackAtATime/https://www.facebook.com/OneTrackAtATime/