Today’s Track: Bucks Fizz – “Making Your Mind Up”

If you’re debating whether to follow the blog or not, here is a brand new post that is 100% guaranteed to help with making your mind up! It’s time for your Thursday post!

Funny story, I was recently in a lecture and my tutor turned up, jokingly testing the microphone by saying he was “Stevey G” and he was going to “be playing all of your favourite records”, before questioning whether they play Bucks Fizz anymore. He’s a sound guy and naturally, I knew exactly what he was on about. As a result of this, I thought I would use the idea to write about the song on my blog. “Making Your Mind Up” is a pop track from 1981 which famously won the Eurovision Song Contest, representing the UK, in April 1981! That’s something that we never do any good at in now and something we’ll likely never win for any year in the foreseeable future because we’re leaving the European Union. It was a track that would have felt like a one-hit wonder, although they went on to become a very commercially successful British pop group over the 80’s, with the group topping the singles charts in many international territories and they have gone on to sell over 15 million copies worldwide, with other hits like 81’s “The Land Of Make Believe”, 82’s “My Camera Never Lies” and 83’s “When We Were Young”, all of which reached the top 10 in the UK Singles Chart. They went on to release 5 LP records, with the self-titled debut released back in 1981 becoming the most notable hit, although the critical reception was mostly unfavourable. The original line-up consists of Bobby G, Cheryl Baker, Mike Nolan and Jay Aston, which changed over a few years, as Shelley Preston replaced Aston when Aston split from the rest of the group. Aston was 19 years old at the time.

“Making Your Mind Up” was specifically produced for the Eurovision Song Contest of 1981, with an incredibly famous dance routine which saw the male vocalists of the group used to physically rip off the skirts of the female vocalists of the group to reveal a much shorter, controversial, skirt beneath it. It’s a move which they definitely wouldn’t be allowed to do in this day and age, which is certainly a good thing. I can see why the critics hated this track, as it has a very basic pop melody and no real artistic expression to it of any real credibility or merit, but it’s an interesting piece of trivia from it’s time that acts as a fascinating snapshot of how the pop music industry used to operate at the time of it’s original release. The track has an infectious groove to it, with lyrics that are absolutely poppy, but catchy and fashionable of the time: “You gotta speed it up and then you gotta slow it down/ ‘Cause if you believe that our love can hit the top you gotta play around/But soon you will find that there comes a time – For making your mind up” are cheesy and not a bad choice for a drunken Karoake performance. It’s essentially the 1980’s equivalent of fruity, gassy fizzy drink, with a sickly sweet melody, but with an uninspiring lack of taste which can overload your listening ear buds a stretch too far. It doesn’t really hold up very well in the grand scheme of things, but it’s a novelty and a bite-sized slice of 80’s nostalgia for some. It went on to become a certified gold record and Jay Aston recently became an MP in August to stand for Brexit! Let’s all hope that she’s making her mind up on the matter!

Thank you very much for reading this post! I’ll be back tomorrow with a look at a brand new record which features Sal Principato on vocals, the lead band member of post-punk rock legends Liquid Liquid! It’s a track which was nicked, a little bit, from Principato’s original group! If you really liked what you just read, why not follow the blog to get notified when every daily new post is up and like the Facebook page here?: https://www.facebook.com/OneTrackAtATime/

Today’s Track: Miami Sound Machine (feat. Gloria Estefan) – “Rhythm Is Gonna Get You”

Welcome to the blog! Today, I’m writing about a pop classic that’s coming to get you!

“Rhythm Is Gonna Get You” is a dance-pop track originally mixed by Miami Sound Machine, which features the vocal performance of Gloria Estefan. It was released back in June 1987. Interestingly, it took a year and a half for the track to become a chart hit in the UK mainstream, peaking at #16 in the UK Singles Chart in January 1989. It also hit #5 in the US Billboard Hot 100 chart. It was first released as a single from “Let It Loose”, the 10th LP released by Miami Sound Machine and the first in Estefan’s chronology, but the single was later re-released in February 1988 after the single was featured very prominently in “Stakeout”, a 1987 film, but it failed to hit the charts again. It was re-released again in December 1988 following the success of the singles “Anything For You” (a title which the LP was later re-released under with new cover art in 1988) and “1-2-3”, where it finally became a minor hit. The track was later used in many different pieces of media, such as a re-worked version for “Wheel Of Fortune”, a British game show. It was later sampled in many different Hollywood films, as well as several Bollywood film productions in India. Last year, it was selected by the Library Of Congress as being “culturally, historically or artistically significant”, to be preserved in the National Recording Registry. Not bad for a “minor” hit, right?

The track starts off with a chant that sounds like a distinct tribal call, as Estefan begins to command the vocal layer of the pop track after the 80’s pop synths and the world-inspired electronic instrumentation begins to instantly fizzle into the forefront of the track. The track is very fast-paced, a contrast to the slower ballad styles of other tracks from the LP. The track is infused with a Cuban drum percussion that makes it sound unabashedly 80’s, a relic of the era of which it was originally released in, also paving the way for the mainstream dance craze of the 1990’s. The fusion of different world instruments and the synthesized Latin pop-based sounds are unique, with the overall composition of the track feeling melodic, which is mostly down to the catchy vocal hooks from Estefan and the undeniably Salsa vibe. The track is very 80’s and it doesn’t sound very futuristic, but it’s still a fun little pop effort to listen to and it holds up pretty well as a song that very much references the time that was originally written and produced in. It’s a little bit commercial, but it’s still a decent record and the Reggae-inspired energy makes it an appealing bop to dance around in the kitchen to!

Thank you reading this post! I’ll be back tomorrow with a look at another cheesy 80’s pop track from a British Pop group who won the Eurovision Song Contest for the UK back in April 1981! If you’re torn between two different guesses as to who they could be, then you better start making your mind up! If you really liked what you just read, why not follow the blog to get notified when every daily new post is up and like the Facebook page here?: https://www.facebook.com/OneTrackAtATime/

Mercury Prize 2019 Special Edition: Dave – “Streatham”

A big congratulations to Dave for winning this year’s Mercury Prize award for his first LP record, “Psychodrama”! What a show it was! It’s time for your Saturday blog post!

Dave had to overcome a lot of very tough competition from the likes of IDLES, Foals, Anna Calvi and (my personal favourite) Little Simz to win this year’s Mercury Prize for his new LP, “Psychodrama”, which was released on March 9th on Neighbourhood Recordings. “Streatham” is one of the album’s singles, which reached the heights of #9 on the UK Singles Charts in March, a track which takes influence from obscure genres like Afrobeat to create a UK rap anthem which directly confronts the themes of mental health and it largely references Dave’s youth as a way of connecting the ideas.

“Streatham”, named after the South London district, is a track which feels like an autobiographical story of Dave’s upbringing as a young grime artist. He adds a personal flavour to the fast-paced electronic bass on the track, as he vents stories about his family and the cold home that he grew up in. In the track, he tells anecdotes about receiving his first car where his intoxicated friend got a DUI charge, abuse during his past relationships and the fact he used to skip all of his lectures in his time at university. Dave raps up a coming-of-age story in a song as he reflects on his mistakes, but he also celebrates these decisions as the influences that have molded his songwriting talents as an artist and the fact that he’s made it in the business that he’s truly passionate for. This track feels increasingly diverse as it goes along, with some poppier vocals and a slightly more light-hearted tone balancing out the rough-edged melodies and the more strikingly aggressive stories. Dave is smart in addressing the ghosts of his past, while accepting the mistakes he’s made as the experiences which have shaped him on a very personal level. Overall, it’s a very solid and concise track which has an element of beauty to it. I think that I still would have preferred for Little Simz to win the Mercury Prize award because she is more underground, whereas Dave is a little bit more conventional, but that’s just my opinion! The track is still a winning number from Dave that’s full of energy and I like the bold direction he’s taken. I wish him all the best after receiving this huge career pick-up. It feels like a good pre-cursor to the Brit Awards, which seem like they’re going to be absolutely huge for him. If it beats Ed Sheeran, it’s decent enough for me!

Thank you for reading this post! I’ll be back tomorrow with a new weekly edition of my Scuzz Sundays series of themed blog posts! If you really liked what you just read, why not follow the blog to get notified when every new daily post is up and why not like the Facebook page here?: https://www.facebook.com/OneTrackAtATime/

Today’s Track: Friendly Fires – “Almost Midnight”

He’s going for the kiss, while I’ve got to post your daily musing on the blog before it gets to midnight! It’s time for your short & sweet Saturday post!

“Almost Midnight” is a track from Friendly Fires’ new LP, “Inflorescent”, the follow-up to the 2011 alternative dance classic “Pala”! I previously covered the opening track of the new LP record, “Can’t Wait Forever”, on the blog two weeks ago! In case you’re new to the blog, here were my thoughts on that specific track: https://onetrackatatime.home.blog/2019/08/23/todays-track-friendly-fires-cant-wait-forever/

I’m making the big trip back to Uni today, so it’s going to have to be a short and sweet one today. “Almost Midnight” is definitely a low-key standout from the new record for me. I love the Samba-style synths, the style which Friendly Fires are known for, as they pulse up and down in the melodies of the track like a heartbeat, as our narrator goes “for the kiss” as it’s almost midnight. The bassline is very fast-paced and sounds a bit crooked in places when the electro-pop beats twist and contort as the fast pace of the track plays out. As with the rest of the album, it might seem a bit over-indulgent on sugary sweet pop for some, but it’s a very fun track that isn’t essentially mindless as the vocals are delivered with a good level of heart and passion. This is a solid and enjoyable track from a great album which probably won’t go down as a classic like “Pala” did, but it’s definitely worth giving a chance.

Thank you for reading this post! I’ll be back tomorrow with another weekly edition of my Scuzz Sundays posts! If you liked what you just read, why not follow the blog to get notified when every daily new post is up and like the Facebook page here: https://www.facebook.com/OneTrackAtATime/

Today’s Track: Carly Simon – “You’re So Vain”

I had a dream of starting up my own music blog and getting work in the media as a broadcaster on the radio, so let’s hope it’s not just clouds in my coffee! Here’s a golden oldie for your Friday post!

“You’re So Vain” is a 1972 hit single by Carly Simon. It’s taken from her third studio LP, “No Secrets”, which was also released back in 1972, which is WAY before my time! It’s a real guilty pleasure of mine which comfortably sits among my “Shit That I Shouldn’t Like, But I Love” playlist on Spotify. It was crowned the “Ultimate song of the 70’s” by The Official Charts Company in 2014.

The track is a diss song about Simon overcoming a terrible relationship with a self-absorbed, seemingly vain, lover whom Simon says: “I can’t possibly tell you who it’s about because it wouldn’t be fair” in an interview with Rolling Stone in 1972. Some theories on the internet suggest that it may be about Mick Jagger, Warren Beatty or a set of three different lovers. The lyrics are very blunt as Simon recounts anecdotes of her ex-lover, a guy she shames by crooning sarcastic lines at him: “You Walked into the party/like you were walking onto a Yacht” and “You had one eye in the mirror as you watched yourself Gavotte” as she expresses her disdain for his self-centred treatment of his appearance and his behaviour towards other women. The sound is filled with a very distinctive bass guitar line that plods along with the slow pace of the song as Simon fills her critical profile of her ex-boyfriend. There are also low-tempo piano chords that match Simon’s hatred for the guy as they, quite literally, thud along with the vocals and the percussive guitar melodies. It almost sounds funny, which mirrors the sense of Simon laughing at the expense of her ex-lover as she references making love to him in the past: “You had me several years ago/When I was still quite naive”, but the song isn’t about him. It’s about Simon’s growth as an independent woman as she extends to unleash her inner courage and strength which she built from the personal experience.

This track is a cornerstone of mainstream radio, most likely in playlists for Smooth Radio, and it’s probably about as run-of-the-mill as you can get for a fan of “alternative” music like me, but that does not really stop me from enjoying it and I’m not terribly sure why it is that I do, but there must be a good reason why it’s endured in people’s hearts as a Karoake classic for several decades.

Thank you for reading this post! As always, I’ll be back tomorrow with an in-depth look at one of the most acclaimed House classics of the 1980’s. Also, don’t forget that the third weekly edition of my #ScuzzSundays series of posts is going up on Sunday! If you liked what you just read, follow the blog to get notified when every daily new post is up and like the Facebook page here: https://www.facebook.com/OneTrackAtATime/